| Course Name | Code | Semester | T+U Hours | Credit | ECTS |
|---|---|---|---|---|---|
| Video and Music | TEB 005 | 0 | 2 + 0 | 2 | 4 |
| Precondition Courses | |
| Recommended Optional Courses | |
| Course Language | Turkish |
| Course Level | Bachelor's Degree |
| Course Type | OPTIONAL |
| Course Coordinator | Doç.Dr. BÜLENT KABAŞ |
| Course Lecturers | |
| Course Assistants | |
| Course Category | Other |
| Course Objective | The purpose of the course is to deal with throughly the relationship between music and visual. |
| Course Content | In this course, students should learn the basic relationship between visual, audio and music; analyze the interaction between visual and audial over embodiments. |
| Industry Support | |
| Supporter Company | |
| Supporter Instructor |
| # | Course Learning Outcomes | Teaching Methods | Assessment Methods |
|---|---|---|---|
| 1 | Shall learn the basic relationship between visual, audio and music. | Lecture, Question-Answer, Self Study, Group Study, Lab / Workshop, Observation, | |
| 2 | Shall analyze the interaction between visual and audial over embodiments. | Lecture, Question-Answer, Self Study, Lab / Workshop, Observation, |
| Week | Course Topics | Preliminary Preparation |
|---|---|---|
| 1 | The Relationship Between Audio and Visual | |
| 2 | Reflection of Musical Elements in the of Process Visualization of Music | |
| 3 | Use of Music in Cinema | |
| 4 | Use of Music in Cinema | |
| 5 | Original Film Musics (Film Music Composers) | |
| 6 | Use of Music in Turkish Cinema | |
| 7 | Documentary Film Musics | |
| 8 | Television Music | |
| 9 | Music Industry and Video | |
| 10 | Visual Representation of Music Videos | |
| 11 | Music Television | |
| 12 | Videoart and Experimental Music | |
| 13 | Videoart and Experimental Music | |
| 14 | Video Game Musics |
| Resources | |
|---|---|
| Course Notes | |
| Course Resources | Cem Pekman, Görüntünün Müziği Müziğin Görüntüsü, Pan Yayıncılık Bülent Vardar, Sinemada Ses ve Müzik, Es Yayınları, 2009 Pınar Beşevli Solmaz, Sinema ve Müzik, Erk Yayınları, 2000 Ennio Morricone, Sergio Miceli, Composing for the Cinema: The Theory and Praxis of Music in Film Paperback, Scarecrow Press, 2013 |
| # | Contribution of Course Learning Outcomes to Program Outcomes |
|---|---|
| 1 | Shall learn the basic relationship between visual, audio and music. |
| 2 | Shall analyze the interaction between visual and audial over embodiments. |
| Evaluation System | |
|---|---|
| Semester Studies | Contribution Rate |
| 1. Ara Sınav | 40 |
| 1. Kısa Sınav | 20 |
| 1. Sözlü Sınav | 40 |
| Total | 100 |
| 1. Yıl İçinin Başarıya | 50 |
| 1. Final | 50 |
| Total | 100 |
| ECTS - Workload Activity | Quantity | Time (Hours) | Total Workload (Hours) |
|---|---|---|---|
| Course Duration (Including the exam week: 16x Total course hours) | 16 | 2 | 32 |
| Hours for off-the-classroom study (Pre-study, practice) | 16 | 2 | 32 |
| Mid-terms | 1 | 2 | 2 |
| Quiz | 1 | 2 | 2 |
| Assignment | 1 | 5 | 5 |
| Project / Design | 1 | 15 | 15 |
| Final examination | 1 | 2 | 2 |
| Total Workload | 90 | ||
| Total Workload / 25 (Hours) | 3.6 | ||
| dersAKTSKredisi | 4 | ||