| Ders Adı | Kodu | Yarıyıl | T+U Saat | Kredi | AKTS |
|---|---|---|---|---|---|
| Hıstory Of Cınema | SAU 254 | 0 | 2 + 0 | 2 | 5 |
| # | Ders Öğrenme Çıktıları | Öğretim Yöntemleri | Ölçme Yöntemleri |
|---|---|---|---|
| 1 | acquise essential information about the development of cinema | Lecture, Discussion, Demonstration, | Testing, Homework, |
| 2 | watch examples of important films that shapes film history | Lecture, Discussion, Demonstration, | Testing, |
| 3 | comprehend the relations between economic developments and film production process | Lecture, Discussion, Demonstration, | Testing, Homework, |
| 4 | comprehend influence of social developments on films and cinema industry | Lecture, Discussion, Demonstration, Brain Storming, | Testing, Homework, |
| 5 | grasp essential dynamics of film production process | Lecture, Discussion, Demonstration, | Testing, |
| 6 | grasp essential aesthetic tendencies of film history | Lecture, Question-Answer, Demonstration, Brain Storming, | Testing, Homework, |
| 7 | evaluate important movements of film history in ideological context | Lecture, Discussion, Demonstration, | Testing, Homework, |
| 8 | evaluate cinema in terms of economic, aesthetic and ideological aspects | Lecture, Question-Answer, Discussion, Demonstration, | Testing, Homework, |
| 9 |
| Hafta | Ders Konuları | Ön Hazırlık |
|---|---|---|
| 1 | Introduction, understandig cinema, birth of cinema in America and in Europe Lumiere Brothers’ and Méliès’ cinema | |
| 2 | Edwin S. Porter, David W. Griffith, Hollywood industrial development, studio system, aesthetic tendencies, silent comedy films (M.Sennett, C.Chaplin) | |
| 3 | European film ındustry, German Expressionism, Soviet Formalism | |
| 4 | European film ındustry, French Impressionism, Poetic Realism | |
| 5 | Cinema in second world war: National cinemas, Italian New Realism | |
| 6 | Italian New Realism: Directors, films, aesthetic tendencies | |
| 7 | Postwar Hollywood and 1950s : collapse of studio system, new organisations in film industry | |
| 8 | Post war European cinema : New wave, film production context | |
| 9 | New wave: directors, films, Britich free cinema | |
| 10 | Auteur cinema, aesthetic tendencies, well-known directors: Bergman, Antonioni, Tarkovsky | |
| 11 | American Independant Cinema | |
| 12 | Developments in 1960s, third world cinema | |
| 13 | Third cinema concept, communication policy, changing national cinemas | |
| 14 | Essential dynamics of contemporary film production, general evaluation |
| Kaynaklar | |
|---|---|
| Ders Notu | |
| Ders Kaynakları | Abisel, Nilgün. Sessiz Sinema. 2.Basım. İstanbul: Om Yayınevi, 2003. Biryıldız, Esra. Sinemada Akımlar. 2.Basım. İstanbul: Beta Yayınları, 2000. Biryıldız, Esra ve Zeynep Çetin Erus (drl.).Üçüncü Sinema ve Üçüncü Dünya Sineması. İstanbul: Es Yayınları, 2007. Büker, Seçil. “Auteur Kurama Giriş”, Sinema, Tarih, Kuram, Eleştiri. S.Büker ve G.Topçu (drl.). Ankara: Gazi Üniv.İlet.Fak.Yayınları, 2008, ss.312-316. Kılıç, Levent. Fotografın ve Sinemanın Toplumsal Tarihi. Ankara: Dost Yayınevi, 2008. Monaco, James. Bir Film Nasıl Okunur. Ertan Yılmaz (çev.). İstanbul: Oğlak Yayınları, 2001. Kristin Thompson ve David Bordwell. Film History: An Introduction. New York: Mc Graw Hill Press, 1994. Jhon Hill ve Pamela Church Gibson (ed.). World Cinema Critical Approaches, New York: Oxford University Press, 2000. Tim Bergfelder, “National, Transnational or Supranational Cinema? Rethinking Europeen Film Studies”. (Electronic Versions) Media, Culture & Society. 2005, Sayı: 27 Toby Miller, “Küresel Hollywood (Global Hollywood): Hollywood Tarihi, Kültür Emperyalizmi ve Küreselleşme”. Ayşegül Gürsoy ve Mehmet Olcay(çev.). Yeni İnsan Yeni Sinema. Sayı: 14, Sonbahar Kış 2003/04 Bordwell, David. “The Art Cinema as a Mode of Film Practice.” Film Criticism. C.4, Sayı:1, Fall 1979 Vincendeau, Ginette. Issues in European Cinema. World Cinema Critical Approaches, Jhon Hill ve Pamela Church Gibson (ed.).New York: Oxford University Press, 2000. Tarkovski, Andrey. Mühürlenmiş Zaman, Füsun Ant (çev.), İstanbul: Agora Kitaplığı, 2007. Teksoy, Rekin. Rekin Teksoy’un Sinema Tarihi. İstanbul: Oğlak Yayınları, 2005. Smith, Geoffry Nowell ve Steven Ricci (ed.). Hollywood and Europe, Economics, Culture, National Identity: 1945-95. London: British Film Institute, 1998. Dorsay, Atilla. 100 Yılın Yönetmeni. 3.Basım. İstanbul: Remzi Kitabevi, 2000. Büker, Seçil. Sinema Dili Üzerine Yazılar. Ankara: Dost Yayınları, 1985. Onaran, Alim Şerif. Sessiz sinema Tarihi. Ankara: Kitle Yayınları, 1994. Onaran, Alim Şerif. Sinemaya Giriş. 2. Basım. İstanbul: Maltepe Üniversitesi Yayınları, 1999. |
| # | Ders Öğrenme Çıktılarının Program Çıktılarına Katkısı |
|---|---|
| 1 | acquise essential information about the development of cinema |
| 2 | watch examples of important films that shapes film history |
| 3 | comprehend the relations between economic developments and film production process |
| 4 | comprehend influence of social developments on films and cinema industry |
| 5 | grasp essential dynamics of film production process |
| 6 | grasp essential aesthetic tendencies of film history |
| 7 | evaluate important movements of film history in ideological context |
| 8 | evaluate cinema in terms of economic, aesthetic and ideological aspects |
| 9 |
| Değerlendirme Sistemi | |
|---|---|
| Yarıyıl Çalışmaları | Katkı Oranı |
| 4. Ara Sınav | 50 |
| 1. Kısa Sınav | 12 |
| 3. Ödev | 25 |
| 2. Kısa Sınav | 13 |
| Toplam | 100 |
| 1. Yıl İçinin Başarıya | 50 |
| 1. Final | 50 |
| Toplam | 100 |
| AKTS - İş Yükü Etkinlik | Sayı | Süre (Saat) | Toplam İş Yükü (Saat) |
|---|---|---|---|
| Course Duration (Including the exam week: 16x Total course hours) | 16 | 2 | 32 |
| Hours for off-the-classroom study (Pre-study, practice) | 16 | 3 | 48 |
| Mid-terms | 1 | 8 | 8 |
| Quiz | 2 | 12 | 24 |
| Assignment | 1 | 13 | 13 |
| Toplam İş Yükü | 125 | ||
| Toplam İş Yükü / 25 (Saat) | 5 | ||
| dersAKTSKredisi | 5 | ||