Course Name Code Semester T+U Hours Credit ECTS
Religious Music TBB 442 8 2 + 2 3 5
Precondition Courses
Recommended Optional Courses
Course Language Turkish
Course Level Bachelor's Degree
Course Type Optional
Course Coordinator Doç.Dr. CEMAL KARABAŞOĞLU
Course Lecturers Dr.Öğr.Üyesi SAFİYE ŞEYDA ERDAŞ,
Course Assistants

Doç.Dr.Ferdi KOÇ

Course Category Field Proper Education
Course Objective

To gain knowledge about the historical development and forms of Turkish Religion Music

Course Content

Historical Development of Turkish Religious Music, Forms, Examples of Forms

# Course Learning Outcomes Teaching Methods Assessment Methods
1 Music defines the basic concepts, purpose and types of music Lecture, Question-Answer, Drilland Practice, Testing, Oral Exam, Homework,
2 Summarize the historical and cultural development of Turkish Religious Music Lecture, Question-Answer, Discussion, Testing, Homework,
3 Describe the place of Turkish religious music among Turkish Islamic arts Lecture, Question-Answer, Discussion, Testing,
4 Explains the structure of makams and rhytms in Turkish Religious Music Lecture, Question-Answer, Drilland Practice, Testing, Oral Exam, Homework,
5 Improves technical knowledge and senses about voice using Lecture, Question-Answer, Drilland Practice, Motivations to Show, Testing, Oral Exam, Homework,
6 Lists the examples of Turkish Religious Music forms Lecture, Question-Answer, Drilland Practice, Testing, Oral Exam, Homework,
Week Course Topics Preliminary Preparation
1 Turkish Religious Music, Definition and Content
2 The Place of Religious Music in Turkish Islamic World
3 Turkish Religious Music Culture and Forms
4 Execution characteristics in Turkish Religious Music
5 Simple Makams in Turkish Religious Music
6 Use of Şed Makams in Turkish Religious Music
7 The Relationship between the Makam and Form in Turkish Religion Music
8 Rhythms and patterns used in the Turkish religious music
9 Simple and Composite Rhythm Information
10 Technical İnformation about Voice usage in Religious Music
11 Application of Makams to Religious Music Forms
12 Ezan, Salâ, Kıraat, Cumhur Muezzinliği, Application in Kaside Forms
13 Application in the forms of Naat, İlahi, Tevşih, Mevlid
14 Application of Mevlevi Ayini Form
Resources
Course Notes <p> [1] Komisyon (2017), T&uuml;rk Din Musikisi El Kitabı, Grafiker Yayınları, Ankara.</p>
Course Resources

[2] Tura, Yalçın (1988), Türk Musikisinin Meseleleri, Pan Yayınları, İstanbul.
[3] Sürelsan, İsmail Baha (1972), Dini Türk Musikisine Giriş, Ankara : TRT Merkez Müzik Dairesi.
[4] Diyanet İslam Ansiklopedisi

[5]Özkan,İsmail Hakkı(1994),Türk Musikisi Nazariyatı ve Usulleri, Ötüken, İstanbul.

Order Program Outcomes Level of Contribution
1 2 3 4 5
1 Musicologist; learns the music with all respects by searching, arrives information and synthesis, at the same time; forms a critics view that he can percevie his environment and world. X
2 renews, interogates himself continuously in change and development, analyses new information and methods. Besides the contributions secured to musicology, works with the other diciplines and connects relations. X
3 takes up music art in many respects like education, esthetics, history; examines it; arrives deductions. X
4 follows the renevals in writing musical note and music technology. Has the ability of using technological possibilities in moving traditional music and today’s music to the future. X
5 analyses the music culture which is the very important part of national culture in historical perspektive and moves it to future. X
6 has the ability of transfering the characteristics of musicology by using the effective communication techniques of public relations to listener who are the expert or not expert. X
7 has the ability of using technological possibilities in moving traditional music and today’s music to the future. X
8 has the ability of taking up culture with the critics view which popular culture has formed, by resting on scientific information and anaylsing popular culture X
9 is candidate for science and art expertise. X
10 Besides the theories and solfej of West music, musicologist illuminates the theories and solfej, history, literature of Turkish music by supporting with instrument information. While compassing his own national music and moving it to future, musicologist gives scientific information to examine and compare Europa and world music at adequate level. X
11 secures sufficient materials, source and archive support retaled to area. X
12 gives methods and tecniques that interrogate, analyse and synthese the themes of musicology. X
13 teaches necessary team and informations in writing musical note and music Technologies themes X
14 gives social, scientific and ethical rules in the stages of gathering, interpreting and making heard of scientific datums entered musicology.
Evaluation System
Semester Studies Contribution Rate
1. Ara Sınav 45
1. Kısa Sınav 15
2. Kısa Sınav 15
1. Sözlü Sınav 25
Total 100
1. Final 50
1. Yıl İçinin Başarıya 50
Total 100
ECTS - Workload Activity Quantity Time (Hours) Total Workload (Hours)
Course Duration (Including the exam week: 16x Total course hours) 16 4 64
Hours for off-the-classroom study (Pre-study, practice) 16 1 16
Quiz 2 8 16
Oral Examination 1 8 8
Final examination 1 16 16
Mid-terms 1 4 4
Total Workload 124
Total Workload / 25 (Hours) 4.96
dersAKTSKredisi 5