Ders Adı | Kodu | Yarıyıl | T+U Saat | Kredi | AKTS |
---|---|---|---|---|---|
Photography and Boundarıes Of Representatıon | CUL 518 | 0 | 3 + 0 | 3 | 6 |
Ön Koşul Dersleri | |
Önerilen Seçmeli Dersler | |
Dersin Dili | Türkçe |
Dersin Seviyesi | YUKSEK_LISANS |
Dersin Türü | Seçmeli |
Dersin Koordinatörü | Doç.Dr. RASİM SOYLU |
Dersi Verenler | |
Dersin Yardımcıları | |
Dersin Kategorisi | Alanına Uygun Öğretim |
Dersin Amacı | Arguing of photographic representation and understanding cultural aspects. |
Dersin İçeriği | Concept of representation; quality of photographic representation; aesthetics of photography and cultur of photography. |
# | Ders Öğrenme Çıktıları | Öğretim Yöntemleri | Ölçme Yöntemleri |
---|---|---|---|
1 | Knowing concept of mimesis and representation. | Lecture, Question-Answer, Discussion, | Oral Exam, |
2 | Defining quality of photographic representation. | Lecture, Question-Answer, Discussion, | Oral Exam, |
3 | Determining boundaries of photographic representation. | Lecture, | Oral Exam, |
4 | Using ethno-photo, war photography and documentary photography as a visual evidence. | Lecture, Demonstration, | Homework, |
5 | Evaluating contemporary arts with photography. | Lecture, Question-Answer, | Homework, |
6 | Defining role of photography on crisis of representation disputes. | Lecture, Question-Answer, Discussion, | Homework, |
Hafta | Ders Konuları | Ön Hazırlık |
---|---|---|
1 | Mimesis, representation, and the nature of photographic representation | |
2 | A short overwiev of the photography theory | |
3 | Terry Barrett’s Photograpy categories | |
4 | Photography as a representational art form | |
5 | Ethno-Photography and visual evidence | |
6 | Examination | |
7 | The new wars and new war photography | |
8 | The boundaries of documentary photography | |
9 | What is postmodern photography? | |
10 | Is possible portrait photography? | |
11 | Market and the relationship of the art instituation photography | |
12 | Contemporary art and photography | |
13 | After photography or arguing of representation crises and photography | |
14 | General evaluation |
Kaynaklar | |
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Ders Notu | |
Ders Kaynakları | 1)Terry Barrett, Fotoğrafı Eleştirmek (İmgeleri Anlamaya Giriş), Çeviri: Yeşim Harcanoğlu, Hayalperest Yayınevi, İstanbul 2012 2)Susie Linfield, Acımasız Aydınlık (Fotoğraf ve Politik Şiddet), Çeviri: M. Emir Uslu, Espas Kuram Sanat Yayınları, İstanbul 2013 3)Quentin Bajaq, Fotoğraftan Sonra (Analog Fotoğraftan Dijital Devrime), Çeviri: Marşa Franco, Yapı Kredi Yayınları Genel Kültür Dizisi, İstanbul 2011 4)Roland Barthes, Camera Lucida, Çeviri: Reha Akçakaya,Altıkırkbeş Yayın, 3.Baskı, İstanbul 2000 5)Susan Sontag, Fotoğraf Üzerine, Çeviri: Reha Akçakaya, Altıkırkbeş Yayın, İstanbul 1993 …………………….. Başkalarının Acısına Bakmak, Çeviri: Osman Akınhay, Agora Kitaplığı, İstanbul 2004 6)Stuart Hall (edt.), Representation: Cultural Representation And Signifying Practices, Sage Publication, London 2003 7)Roger Scruton, Photography and Representation, Critical Inquiry, 7:3, 1981: Spring, p: 577-603 8)Arthur C. Danto, Sanatın Sonundan Sonra (Çağdaş Sanat ve Tarihin Sınır Çizgisi), Çeviri: Zeynep Demirsü, Ayrıntı Yayınları, İstanbul 2010 9)Robert Wicks, Photography As A Representational Art, British Journal Of Aesthetics, 29:1 – 1989: Winter 10) Kendall L. Walton, Mimesis As Make-Believe, On The Foundations Of The Representational Arts, Harvard University Press, 1990 |
Sıra | Program Çıktıları | Katkı Düzeyi | |||||
---|---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | |||
1 | To gain ability to make data collection, consulting literature and analyzing which form scientific knowledge in the discipline of Cultural Studies. | X | |||||
2 | To have ability to study interdisciplinary and transdisciplinary and to adopt theory, method and practices used in the other areas to discipline of Cultural Studies. | X | |||||
3 | To gain ability to make data collection, consulting literature and analyzing which form scientific knowledge in the relevant discipline. | X | |||||
4 | To gain adequacy to make critical evaluation and synthesis; | X | |||||
5 | To have behavior and ethical sensitivity in conformity with academic life. | X | |||||
6 | To be open minded for renewal and new ideas and to obtain ability to suggest new ideas. | X | |||||
7 | To be experienced to contribute to Cultural Studies in the institutional and methodological context by scientific studies. | X | |||||
8 | To share his/her academic studies with academia via national and international conferences. | X | |||||
9 | To make a scientific research in the area of Cultural Studies based on an asserted thesis with gaining the habit of acquisition of research and project. | X |
Değerlendirme Sistemi | |
---|---|
Yarıyıl Çalışmaları | Katkı Oranı |
1. Ödev | 50 |
1. Ara Sınav | 50 |
Toplam | 100 |
1. Yıl İçinin Başarıya | 60 |
1. Final | 40 |
Toplam | 100 |
AKTS - İş Yükü Etkinlik | Sayı | Süre (Saat) | Toplam İş Yükü (Saat) |
---|---|---|---|
Course Duration (Including the exam week: 16x Total course hours) | 16 | 3 | 48 |
Hours for off-the-classroom study (Pre-study, practice) | 16 | 6 | 96 |
Final examination | 1 | 2 | 2 |
Mid-terms | 1 | 2 | 2 |
Assignment | 1 | 2 | 2 |
Toplam İş Yükü | 150 | ||
Toplam İş Yükü / 25 (Saat) | 6 | ||
Dersin AKTS Kredisi | 6 |