Ders Adı | Kodu | Yarıyıl | T+U Saat | Kredi | AKTS |
---|---|---|---|---|---|
Understandıng The Cınema | ITM 035 | 0 | 3 + 0 | 3 | 5 |
Ön Koşul Dersleri | |
Önerilen Seçmeli Dersler | |
Dersin Dili | Türkçe |
Dersin Seviyesi | Lisans |
Dersin Türü | Seçmeli |
Dersin Koordinatörü | Öğr.Gör. TOLUNAY KAĞAN ERGİN |
Dersi Verenler | Arş.Gör.Dr. AYŞE GÜL TOPRAK ÖKMEN, |
Dersin Yardımcıları | |
Dersin Kategorisi | Genel Eğitim |
Dersin Amacı | As an introduction to cinema, the course contains the historical development of cinema within its economic and cultural context; essential principles of cinematography; It aims to explain the main characteristics of aesthetic tendencies and theoretical approaches in cinema. |
Dersin İçeriği | The course contains the basic principles of cinematography, its cultural, aesthetic and economic context, its historical development and essential film analysis approaches. |
# | Ders Öğrenme Çıktıları | Öğretim Yöntemleri | Ölçme Yöntemleri |
---|---|---|---|
1 | The student earns the basic knowledge about the development of cinema. | Lecture, Demonstration, | Testing, |
2 | watches essentials films of film history | Lecture, Question-Answer, Discussion, Demonstration, | Testing, Homework, |
3 | Understands the basic principles of cinematography | Lecture, Question-Answer, Demonstration, | Testing, Homework, |
4 | Understands the economic political cultural context of cinema | Lecture, Question-Answer, Case Study, | Testing, Homework, |
5 | Learns the basic aesthetic tendencies of cinema history. | Lecture, Question-Answer, Demonstration, | Testing, Homework, |
6 | Understands the main approaches in film criticism | Lecture, Question-Answer, Case Study, | Testing, Homework, |
Hafta | Ders Konuları | Ön Hazırlık |
---|---|---|
1 | Introduction: What is cinema? Cinema and Representation | |
2 | cinematic experience, spectatorship and cinema in the axes of cultural approaches | |
3 | Basic principals of cinematography, classical narrative, shot composition, sequence, camera movement, editing, lighting, sound | |
4 | Edwin S. Porter, David W. Griffith, film industry of Hollywood, aesthetic tendencies, silent comedies | |
5 | Birth of cinema in Europe: Lumière Brothers, Méliès/ thinking on the style: alternative narration and the use of cinematographic elements, realistic approaches and examples | |
6 | national cinemas and thinking on reality, Italian neorealism: directors, films, aesthetic tendencies | |
7 | the culture industry and cinema; genre films, Hollywood and narrative patterns | |
8 | French new wave: directors, films, concepts of subjectivity and objectivity in cinema, critical approaches | |
9 | Post-fordist process and collapse of Hollywood studio system, Tahe birth of American independent cinema and economical-aesthetic transformation | |
10 | grasp auteur cinema: characteristics, aesthetic tendencies: Bergman, antonioni, Tarkovsky, N.B. Ceylan, Zeki Demirkubuz | |
11 | Third world cinema and communication policies: Developments in the world in the 1960s; third cinema concept and discussion | |
12 | transnational cinema, film festivals, changing national cinemas, dependency and orientalism discussions in cinema | |
13 | Feminist and Psychoanalytic approach in cinema, analysis of films | |
14 | digital cinema, film philosophy, intersections and discussions in film studies aerea |
Kaynaklar | |
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Ders Notu | |
Ders Kaynakları |
Değerlendirme Sistemi | |
---|---|
Yarıyıl Çalışmaları | Katkı Oranı |
1. Ara Sınav | 60 |
1. Ödev | 20 |
2. Ödev | 10 |
3. Ödev | 10 |
Toplam | 100 |
1. Final | 50 |
1. Yıl İçinin Başarıya | 50 |
Toplam | 100 |
AKTS - İş Yükü Etkinlik | Sayı | Süre (Saat) | Toplam İş Yükü (Saat) |
---|---|---|---|
Course Duration (Including the exam week: 16x Total course hours) | 16 | 3 | 48 |
Hours for off-the-classroom study (Pre-study, practice) | 16 | 2 | 32 |
Assignment | 3 | 10 | 30 |
Final examination | 1 | 15 | 15 |
Toplam İş Yükü | 125 | ||
Toplam İş Yükü / 25 (Saat) | 5 | ||
Dersin AKTS Kredisi | 5 |