Ders Adı | Kodu | Yarıyıl | T+U Saat | Kredi | AKTS |
---|---|---|---|---|---|
Harmonı III | TBB 433 | 7 | 2 + 2 | 3 | 5 |
Ön Koşul Dersleri | |
Önerilen Seçmeli Dersler | Counterpoint, Polyphonic choir, Piano III |
Dersin Dili | Türkçe |
Dersin Seviyesi | Lisans |
Dersin Türü | Seçmeli |
Dersin Koordinatörü | Arş.Gör.Dr. HACI BEKİR KURŞUNET |
Dersi Verenler | Arş.Gör.Dr. HACI BEKİR KURŞUNET, |
Dersin Yardımcıları | |
Dersin Kategorisi | Diğer |
Dersin Amacı | Moving on to advanced stages of harmony science, grasping the theoretical dimensions of polyphony. |
Dersin İçeriği | Chromatic Harmony, Self Modulation, Modulation |
# | Ders Öğrenme Çıktıları | Öğretim Yöntemleri | Ölçme Yöntemleri |
---|---|---|---|
1 | advanced understanding of polyphony | Lecture, Question-Answer, Discussion, Drilland Practice, Brain Storming, Self Study, Problem Solving, | Testing, Homework, Performance Task, |
2 | applying seventh chords to new situations | Lecture, Discussion, Drilland Practice, Motivations to Show, Brain Storming, Self Study, Problem Solving, | Testing, Homework, Project / Design, |
3 | theoretical accompaniment | Lecture, Drilland Practice, Motivations to Show, Self Study, Problem Solving, | Testing, Homework, Project / Design, Performance Task, |
4 | gaining new perspectives on polyphonic music | Lecture, Drilland Practice, Simulation, Brain Storming, Self Study, Problem Solving, | Testing, Homework, Project / Design, Performance Task, |
Hafta | Ders Konuları | Ön Hazırlık |
---|---|---|
1 | Repetition of previous semester topics | |
2 | Knowledge about chromatic harmony, orientation modulation concepts, | |
3 | Double dominat chord DD7 | |
4 | Dual dominant chords and their cycles, DD7 and its cycles | |
5 | Double dominant chord and Combination principles with II. degree chord | |
6 | Double dominant chord DDVII7 | |
7 | Double dominant chord DDVII7 and its cycles | |
8 | practices on the piano | |
9 | tonal Direction, chord sequence, chord connections | |
10 | tonal Direction, chord sequence, chord connections and more practices | |
11 | practices on the piano with tonal Direction, chord sequence, chord connections | |
12 | Modulations about with I, IV and V grades in close tones | |
13 | Continuation of modulation with side chords in close tones | |
14 | practices on the piano with Continuation of modulation with side chords in close tones, and repeating general topics |
Kaynaklar | |
---|---|
Ders Notu | Zarife BAKİHANOVA Armoni, TCHAİKOVSKY, Armoni, Nurhan CANGAL, Armoni, Aynur ELHANKIZI, Armoni, Klasik Batı Sistemine Rus Ekolü Yaklaşımları, Robert GAULDİN, Harmonic Practise in Tonal Music. |
Ders Kaynakları | Zarife BAKİHANOVA Armoni, TCHAİKOVSKY, Armoni, Nurhan CANGAL, Armoni, Aynur ELHANKIZI, Armoni, Klasik Batı Sistemine Rus Ekolü Yaklaşımları, Robert GAULDİN, Harmonic Practise in Tonal Music. |
Sıra | Program Çıktıları | Katkı Düzeyi | |||||
---|---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | |||
1 | Musicologist; learns the music with all respects by searching, arrives information and synthesis, at the same time; forms a critics view that he can percevie his environment and world. | X | |||||
2 | renews, interogates himself continuously in change and development, analyses new information and methods. Besides the contributions secured to musicology, works with the other diciplines and connects relations. | X | |||||
3 | takes up music art in many respects like education, esthetics, history; examines it; arrives deductions. | X | |||||
4 | follows the renevals in writing musical note and music technology. Has the ability of using technological possibilities in moving traditional music and today’s music to the future. | X | |||||
5 | analyses the music culture which is the very important part of national culture in historical perspektive and moves it to future. | X | |||||
6 | has the ability of transfering the characteristics of musicology by using the effective communication techniques of public relations to listener who are the expert or not expert. | X | |||||
7 | has the ability of using technological possibilities in moving traditional music and today’s music to the future. | X | |||||
8 | has the ability of taking up culture with the critics view which popular culture has formed, by resting on scientific information and anaylsing popular culture | X | |||||
9 | is candidate for science and art expertise. | X | |||||
10 | Besides the theories and solfej of West music, musicologist illuminates the theories and solfej, history, literature of Turkish music by supporting with instrument information. While compassing his own national music and moving it to future, musicologist gives scientific information to examine and compare Europa and world music at adequate level. | X | |||||
11 | secures sufficient materials, source and archive support retaled to area. | X | |||||
12 | gives methods and tecniques that interrogate, analyse and synthese the themes of musicology. | X | |||||
13 | teaches necessary team and informations in writing musical note and music Technologies themes | X | |||||
14 | gives social, scientific and ethical rules in the stages of gathering, interpreting and making heard of scientific datums entered musicology. | X |
Değerlendirme Sistemi | |
---|---|
Yarıyıl Çalışmaları | Katkı Oranı |
1. Ara Sınav | 70 |
1. Performans Görevi (Uygulama) | 10 |
2. Performans Görevi (Uygulama) | 10 |
3. Performans Görevi (Uygulama) | 10 |
Toplam | 100 |
1. Final | 40 |
1. Yıl İçinin Başarıya | 60 |
Toplam | 100 |
AKTS - İş Yükü Etkinlik | Sayı | Süre (Saat) | Toplam İş Yükü (Saat) |
---|---|---|---|
Course Duration (Including the exam week: 16x Total course hours) | 16 | 4 | 64 |
Mid-terms | 1 | 1 | 1 |
Performance Task (Application) | 3 | 9 | 27 |
Final examination | 1 | 4 | 4 |
Hours for off-the-classroom study (Pre-study, practice) | 4 | 8 | 32 |
Toplam İş Yükü | 128 | ||
Toplam İş Yükü / 25 (Saat) | 5,12 | ||
Dersin AKTS Kredisi | 5 |